Tina Records presents the apocalyptic visions of Nokuit. Constructing a hellish diorama across six tracks of industrial electronics, Gates of Horn and Ivory uses biblical allegory to map out our current End Times. With sleeve notes by Andy Sharp a.k.a The English Heretic.
07 November 2025
Ltd 12" Vinyl + Digital
includes A5 insert with
sleeve notes by English Heretic
Purchase/Listen
Ltd 12" Vinyl + Digital
includes A5 insert with
sleeve notes by English Heretic
Purchase/Listen
A2 Deadly Angels
A3 Last Trumpet
B1 Falling II
B2 Dark Chamber
B3 Serpentine
Quad est inferius est sicut quod est superius; et quad est superius est sicut quad est inferius – Anno Verae Lucis 6025.
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Eurosleaze film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels including wannamarchi club and NKT. Alongside Cut Hands (William Bennett of Whitehouse), he remixed Roberto Musci on the inaugural Tina Records release, as well as having been remixed himself by schuttle, Kinn and Sonae. He has performed internationally, including at Cafe OTO alongside Mun Sing as part of a lineup curated by Flora Yin-Wong and has received radio support from Ad93's Nik Tasker and Ana Quiroga of Editions Mego's LCC, amongst others.
English Heretic is an autonomous creative research project helmed by writer, occultist and multimedia artist, Andy Sharp. Having released over a dozen albums and booklets since its inception in 2003, the project culminated with the publication of The English Heretic Collection in 2020 by Repeater Books. Friend and collaborator of the late Mark Fischer, Andy has talked at academic conferences and counter-cultural events on a wide range of subjects drawn from his research.
"The London/Rome label Tina Records taps film composer/electronic musician Nokuit for their second release with Gates of Horn and Ivory. Nokuit has been slowly building towards the LP with a string of releases, but these Gates are a different animal entirely. Using Old Testament-style iconography to make sense of the modern world’s steep decline towards wickedness, these snarling, widescreen dispatches play more like marches into hell than anything meant to move bodies in a room on this mortal plain. The triumphant ‘Falling II’ works like a thesis statement of sorts, favouring pitched-down, almost demonic vocals that swirl around the sparse but jarring percussion like battle cries.Very highly recommended."
— Bleep
Written and recorded by Carlo Ascrizzi
Mixing and mastering by Robert Soma-Lewis at Ambient Works
Sleeve design by Martin Kellett
Sleeve notes by Andy Sharp
Distributed by Kudos
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